Four worlds intersect in my work: human, landscape, city, water.
I paint primarily in acrylic on canvas, plexiglas, and wood, letting the surfaces converse until the composition emerges.
In the urban works, light behaves like a field — transparency, reflection, architecture moving across a transparent surface.
On canvas, the figure endures as gesture and pulse; the surface holds the trace of what the eye passes by.
Landscapes read as strata of time more than views, while waterscapes loosen edges into currents and resonance.
In each series I test how composition can carry sensation rather than just image; how surface, color, and trace can build an experience of space, movement, and time.